"It was stunning! - One week after I was introduced to Biomechanoid, he sent me the first bunch of presets for my upcomming Zebra 1.5 synth, along with an insane demo song. I had expected like 10 or 20 cool noises, but what I got were 84 amazing patches that used Zebra in a way I wouldn't have imagined. Some weeks later I had 128 of them, utilizing Zebra's features beyond the borders of possibilities. This is fantastic stuff, and the people out there love these patches. They have moulded The Sound Of Zebra."
Urs Heckman, Developer of Zebra

'What a great soundset ... every patch put a smile on my face. Very playable stuff, which would be great for performance. I hope it's a big hit, you deserve it.'
Brian Clevinger, Creator of Absynth

I have used biolab soundsets in each of my recent projects and find them inspiring across formats and styles. They allow project-specific control and performance, and allow much more expressive use than any regular sound or sample stock. Last not least, Kolin Fraser is a fellow-artist who understands how music is written and produced these days, and he translates that knowledge into sounds that speak to the times. Keep it coming!
Paul Haslinger, Hollywood Composer

'A huge assortment of sounds that will find their way into your compositions to add dimensions that you could not have created any other way. Biomechanoid is a SICK programmer - some of his best work for Absynth yet!'
John Lehmkuhl, Producer / omposer (for Whitney Houston, Mariah Carey) sound designer for Korg

He has produced one of the finest collections of sounds available for the instrument.'

Claire Fitch (Cellist/Composer National Symphony Orchestra of Ireland)

'The latest patches from Biomechanoid are absolutely delicious!'
Ned Bouhalassa, TV and film composer.